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By the way, in case you’ve been debating the merits of the album’s songs and are curious now that the marketplace has spoken, America’s five favorite Showgirl album cuts (i.e., besides “The Fate of Ophelia”) are, in descending order: “Opalite” (which will almost surely be the second single), “Elizabeth Taylor,” “Father Figure,” “Wi$h Li$t,” and the gleefully raunchy, much-maligned “Wood.” Among that assortment, “The Fate of Ophelia” emerges as the album’s median hit, a song that summarizes the whole Showgirl aesthetic: mellower than expected, deceptively optimistic

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